Blue Eyed Girl

Blue Eyed Girl is, for all intents and purposes, Fly Around My Pretty Little Miss. The Hill Billies (aka Al Hopkins and His Buckle Busters) recorded it at an October 22nd, 1926, session for Vocalion. It was released as Vocalion # 5017, paired with Fisher’s Hornpipe. As with several other of the group’s recordings, the fidelity of the…

Sally Ann

The Hill Billies (aka Al Hopkins and His Buckle Busters) recorded Sally Ann at their first-ever recording date, a January 1925 session for the OKeh label. They would re-record the the following year for release on Brunswick and Vocalion. Though this performance is in C major, Sally Ann is often played in other keys, more commonly…

East Tennessee Blues

This transcription is based on a performance of East Tennessee Blues recorded by the dual-monikered group Al Hopkins and His Buckle Busters/ The Hill Billies. It was recorded in New York City on October 21st, 1926, and released as Vocalion # 5016 (credited to The Hill Billies) and Brunswick # 103 (credited to Al Hopkins…

New Money

Fiddlin’ Doc Roberts recorded New Money at an August 24th, 1928, session in Richmond, Indiana. It was paired with Shoot That Turkey Buzzard, and released as Gennett # 6775. It also saw a release on the Supertone label (# 9355), credited to his oft-used pseudonym, Fiddlin’ Jim Burke. This is the only commercial recording of New Money under that title…

Mississippi Sawyer

The Hill Billies (aka Al Hopkins and His Buckle Busters) recorded Mississippi Sawyer at their second recording session, an April 30th, 1926, date for Vocalion. The recording features four Hopkinses: Elmer, Al, Joe, and John. The band would never again realize such a Hopkins density. Tony Russell’s Country Music Records lists 13 recordings of Mississippi Sawyer made before…

Waynesburgh

Fiddlin’ Doc Roberts recorded Waynesburgh at an August 26th, 1927, session in Richmond, Indiana. His recording is the only recording of this tune under this title to be released before 1942. It was released as Gennett # 6257, as well as on the Gennett-affiliated labels Champion (# 15549, credited to Fiddlin’ Jim Burke), Silvertone (# 5078…

Sleeping Lula

The Carver Boys recorded Sleeping Lula at what was, regrettably, their only recording date — a September 6th, 1929, session in Richmond, Indiana. It was released on the Paramount label as #3233, as well as on Broadway and ARC-Broadway (credited to the Cramer Boys). The tune is a fairly straightforward rag in C, with a motive that…

L and N Rag

This transcription is based on a performance Alex Hood and His Railroad Boys recorded at their only recording date, an April 8th, 1930, Knoxville session that produced two sides. A transcription of L and N Rag appeared in my book, but there are three significant issues with that transcription: It is in the wrong key Several phrases are transcribed…