This is another “Sunset Waltz”, unrelated to the Mississippi Mud Steppers tune, transcribed at the request of a reader. The tune is in three strains, similar to a classic American march, and, as is often the case with marches, it modulates to the subdominant for the final strain. The first two strains are in the…
Lazy Kate
The Leake County Revelers recorded Lazy Kate at their final session, December 18, 1930, in Jackson Mississippi. It was paired with a side recorded two years earlier, Memories, and released as Columbia # 15767. Theirs is the only recording of this tune under this title. The tune is comprised of two eight-bar strains played in the standard…
Bill Cheatham
The Red Headed Fiddlers recorded Bill Cheatham as Cheat `Em at an October 27, 1929, session in Dallas. Bill Cheatham remains a standard in old-time and bluegrass repertoires. There are several recordings under various spellings listed in Tony Russell’s comprehensive discography: Bill Cheatam: Blind Joe Mangum/ Fred Shriber Bill Cheatham: Arthur Smith Bill Cheatum: The Light…
What’s the Matter with the Mill
I made this simple arrangement of What’s the Matter with the Mill years ago for <a href=”https://kennethrainey.com/writing/my-wildly-unsuccessful-book/”>my tunebook</a>, based on a Bob Wills and His Texas Playboys recording from a September 29, 1936, session in Chicago. Coincidentally, that same session produced Wills’ first recording of the Western Swing standard Steel Guitar Rag. The tune is a…
Wish I’d Stayed in the Wagon Yard
I made this simple arrangement of Wish I’d Stayed in the Wagon Yard years ago for my tunebook, based on Lowe Stokes’ recording from a November 1st, 1929, session in Atlanta, released as Columbia 15557-D. Stokes’ recording is the only version listed under the title ‘Wish I’d Stayed in the Wagon Yard’ in Tony Russell’s comprehensive…
Bull at the Wagon
The Lewis Brothers recorded Bull at the Wagon at a July 11, 1929 session in El Paso. Sadly that was the only known session for the duo. It’s a pity because Bull at the Wagon is a charming and energetic recording. The tune itself is fairly simple, composed of three strains in A Major, played…
Eighth of January, The
This transcription of the Eighth of January is based on a performance by the Fox Chasers, a band about which little is known, and whose entire recorded output consists of four sides recorded in San Antonio over two days in 1930. Like the performance by Ted Gossett’s band recorded a few months later, this is a…
Bug in the Taters
Al Hopkins and His Buckle Busters recorded Bug in the Taters on May 14th, 1927 in New York City. It was paired with Boatin Up’ Sandy, and released as Brunswick #182. The tune is comprised of four short four-bar strains D Major, played AABBCCDD. Al Hopkins and His Buckle Busters were the same group as The Hill…
Boatin’ Up Sandy
Al Hopkins and His Buckle Busters recorded Boatin’ Up Sandy in New York City on May 14th, 1927. It was paired with Bug in the Taters, and released as Brunswick #182. The form is a standard AABB fiddle tune with two four-bar strains. The ‘A’ strain has some nice syncopations, including a tie across the bar line…
Birds in the Brook
The Leake County Revelers’ Birds in the Brook is unusual in two significant ways: It has an unusually long and complex form It has a short minor-key segment (at rehearsal mark ‘C’), played in unison The tonal relationships between the strains, starting in C major, and moving up to the subdominant F, is typical of marches,…